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Deutsche Untertitel für A Brony Tale

Es gibt da eine weniger bekannte Dokumentation über Bronies, als die Bronies-Doku. Auch über die bekannte von John de Lancie gäbe es etwas zu schreiben. Aber egal. Einfach vergessen. Die muss nicht gekauft werden. Interessanter (auch weil weniger bekannt) ist die Doku mit dem Titel A Brony Tale.

A Brony Tale von Brent Hodge gibt einen Einblick in das Fandom von My Little Pony: Friendship is Magic indem die Frage "Was sind Bronys" langsam und aus der Sicht von Ashleigh Ball beantwortert, während sie entscheidet, ihre erste Brony-Convention zu besuchen und Fans ihrer Voice-Arbeit trifft. Ashleigh Ball kennt ein Publikum von Fans bisher nur von Konzerten ihrer Band. Als Sprecherin zweier Hauptcharaktere in der Animationsserie (im englischsprachigen Original) wurde sie aber auch unter Bronys ein Name und häufig zu Panel auf Fan-Conventions eingeladen. Es gibt auch Einschätzungen anderer zu dem Fandom, aber keine wirklich kritische Beurteilung oder negative Betrachtungsweise. Ein guter Film für jemanden, den die Frage oder das Thema interessiert. Aber keiner, der weit ins Detail geht oder viel Wissen über die Subkultur vermitteln will. Die Bewertungen haben recht viele Ausreißer nach oben und untern, liegen aber größtenteils im unteren Mittelfeld. Also, nichts besonders Tolles, aber als Teil des Fandoms fand ich ihn sehr gut.

Nachdem der Film veröffentlicht wurde gab es wohl auch mal Pläne, ihn im deutschen TV zu zeigen. Jedenfalls hatte mir Brend Hodge derzeit glaubhaft gemacht, dass es Interesse eines Senders gegeben hätte und quasi nur noch ein Termin gefunden werden musste. Ich hatte damals meistens Zeit und Kopfkapazitäten frei und habe gerne und viel an Gemeinschaftsprojekten mitgearbeitet oder bei Crowd-Sourcing-Aktionen mitgemacht. Mein Angebot, dass ich die deutschen Untertitel für den Film schreibe, um eine Entscheidung für die Ausstrahlung im deutschen Fernsehen wahrscheinlich zu machen, nahm er dankend an. So habe ich gelernt, Untertitel zu schreiben. Praktischerweise gibt es gute freie Software, die die Arbeit erleichtert. Als professionell ist das Ergebnis sicherlich nicht anzusehen. Die Zeilen sind viel zu verbos und bestimmt hier und da zu direkt übersetzt. Aber ich halte das Ergebnis für benutzbar und frei von Fehlern. Aus der Ausstrahlung ist wohl nichts geworden. Vielleicht war es auch ein Missverständnis, weshalb ich danach nie wieder von ihm gehört/gelesen habe.

Aber die Untertiteldatei wollte ich dann doch mal irgendwo veröffentlichen, weil sich das mit brauchbarer Software so gehört. SRT und XML (SubtitleEdit-Datei, nicht TTML) sind im Anhang verlinkt. Der eigentliche Film nicht, weil ich das bestimmt nicht darf. Schade. Naja. Keine Ahnung wie brauchbar die Untertitel heute noch sind, bei den ganzen Tools, die die Untertitel-Arbeit mehr als nur vereinfachen.

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The Best Movies Ever

I like to recommend movies. Because I like to discover movies that serve me as a source of a good mystery, an emotional journey, or fun. But it's not easy to recommend some film to somebody with a different taste than me, which is everybody that I know. But I think it is pretty likely that you will like this recommendation - if you take the time to follow it.

Something like three years ago I've started to watch the titles on the then current IMDb Top 250 Movies list. The way I do it is to keep the next 8 to 16 titles with me, ready to watch when I like to. When I'm not in the mood for a movie, find it booring or for other reasons not worth following through, I skip to the next one but keep the skipped movie to give it at least another two chances. That way I always have at least some very good movies with me, ready to be watched, even when I'm travelling or have no access to the internet. I started this because there are some very well known and very popular movies that I had never watched and I didn't know if that's because of a preonception or not. I'm slowly going through the classics of all genres. Even the horror movies I at least watch for a while. Although I say that horror is not for me, there are some very good ones that I enjoyed in a way. I've watched Casablanca and North By Northwest and get those references now and I know that I don't need to watch them again. I get to see some Chinese and Indian movies that I would have never had the idea to check out. I've seen 12 Years a Slave and To Kill a Mockingbird for the first time and now their relevance now. So many other great movies that I had missed out on for a long time for various reasons. I've eaven discovered some movies that really are for me but I've never heard of before, like Paris, Texas and Jagten. Again, all the classics people from different generations expect others to know, like The Shawshank Redemption" and Psycho, are in the reportoir of comparisons I can make now. From some I learned pieces of history, like from Hotel Rwanda and Gandhi. Some Anime like Hotaru no haka and Kimi no na wa., I would probably have never watched if they weren't rated that highly. ANd in between all of that, I get to watch many of my favourite movies as well as very good movies that I haven't seen since I was much younger.

I don't watch all of them, by far. And that is where I'll stop naming titles in pairs, or at all. I just don't like some movie styles and others are too boring or too far outside of my reality (without any element that keeps my interest up otherwise) and so I abandon them after a couple of attempts to make me interested. I'm not through yet. There are still many classics coming up. And even now there are new titles on the current list, like Oppenheimer and Joker, that I know I'd like to watch. So either when I will be through my list, I'll look at the then current one and see if I want to catch up or start anew. Because many if these movies are worth wathing again after five years.

In my experience, watching one after one of these movies has been a great way to discover new movies of very high quality, rediscover old gems, get to know classics and re-watch favourites because it is a relatively broad list. Not one that is confined to genres, a time period or a culture that I'm familiar with and that I already know has movies that I like.

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Film: Womb (2010)

What three words come to your mind first that describe the film?

Soft, Love, Incest. Well, to be honest, those are the first three. I wish the third one would have been a different word. The forth one would have been Sci-Fi. More keywords are: cloning, childhood, ostracization, ocean, death, depression

How does the film end?

The scene that is shown first in the film is chronologically the last scene in the story. So, that's how the story ends. The rest of the film creates the meaning of what is seen and what she sais in that first scene.

Which two movies is this one a mix of?

Kind of Birth (2004) and Be Right Back (2014, Black Mirror epispde). It's not the same story as Birth. But if you've seen it you will notice the similarities, about which I don't want to tell too much here. Maybe even more so for Be Right Back.

How does that melody go?

DING DING DING DING. ding DING DING DING DING. ding DING DING DING DING DING ding. DING DING DING DING ding. ding ding DING DING DING DING … It's a mostly slow movie. This slow melody sets or accompanies the mood during moments where nothing happens, like during scenery shots. I can't forget that melody. Actually, the melody doesn't reaccur after the beginning of the story. (The instrument does, though.) But still, I can't forget that melody.

Why is Doctor Who there?

Matt Smith is the name of the actor. I see hom so rarely in roles other than The Doctor. This is an entirely different sort of science fition. He still did good.

What open questions remain at the end of the movie?

Why is the new Thomas physically atracted to Rebecca when he only knows her as his mother? How will the new Thomas's life be like after he knows?

Would you watch it again two weeks later because it's a good movie and can be enjoyed twice?

Yes. And I Have.

What's the overall mood of the movie?

I'd say: peaceful. Not every scene and everything that happens is peaceful. But most of the time that's the prevelant mood that I got from it.

You said love is one of the themes of the film. What sort of love story is it?

Well, I didn't use those words. But alright. Was it true love, love at first sight, first love and the love of her life all at the same time? If so then I'm counting it as an achievement that the film told the story without getting cheesy. The following relationships are adressed: childhood friendship, young love, son - mother, mother - son (erotic). Shown but not really addressed much are those: one-night stand, grandfather - granddoughter parents - dead son.

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Film: Tideland

I didn't think I could be entertained by watching a little girl being traumatised for life in various ways for almost two hours.

Is it a weird movie?

Why, yes. Yes, it is. That is if you consider a movie weird if it contains a scene of a corpse being taxidermied to keep a deceised person around then placed at the dinner table with the still living part of the family. But it is weird in that way without being a gory horrow or torture movie.

Would Jean-Pierre Jeunet like this film?

I don't know Jean-Pierre Jeunet or what movies he likes. But Tideland reminded me of his movies' style very much. Camera work, colors, character weirdness, music and the naturalness of unusual events made me suspect that it may be intentionally a tribute to Jean-Pierre Jeunet's work. But that's a silly thought.

Is it a children's movie?

I never understood the criteria for which movies are considered children's movies and which are not. But this one might genuinly be impossible to classify as either. It seems to be a children's movie, telling the story of a child from her point of view, with imaginative play and all. But who would want to show such fucked up shit to a child? Well, actually, why not? Some other children's stories aren't any better. And some, like some of Grim's fairy tales, are more gory than this one.

Shouldn't you have started this with an explanation of what the movie is about?

No. But here are a few keywords: girl, heroin, child abuse, death, friendship, decomposition, mummification, family, adventure,

Why is Brendan Fletcher doing this weird autistic-like act?

I don't know but you can't say it's offensive because he's not actually portraying an autistic man but a man who has part of his brain removed. Still offensive but for different reasons? Well, okay. Anyway. I found his role quite nice and well acted.

So, is it a horrow movie or isn't it?

Does it have a romance component in the story?

In an unusual, awkward way, yes, kind of. Well, calling it a romance would legitimise it. It's definitely not the usual cliché romance component. So, no.

What is it that you like about it?

I don't know. I think like how different normalities of life circumstances are introduced without any inhibition or restraint in a somehow lighhearted seeming way.

And the consistancy in the changes throughout the story.

What is this movie a mix of?

I'd say Fear And Laughing In Las Vegas (Terry Gilliam) and The City Of The Lost Children (Jean-Pierre Jeunet).

Can you show us some paradigmatic screen captures?

OK. But not from the end bit. Here you go.

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Film: Have Dreams, Will Travel

I don't know what the more correct title of the movie is. Some call it Have Dreams Will Travel, some call it A West Texas Children's Story and I don't know where either title was originally used.

It's about the adventure that Cassie and Ben have after her parents die and his don't even notice that he leaves without saying anything. It's also about trauma processing, communication in relationships (parental, friendships and romantic). That's what I see in it at least.

Cassie: I think it's time for us to leave.
Ben: Leave?
Cassie: Look. Those two people who you live with. They're nice and everything, but-
Ben: My parents?
Cassie: Right. But from what I can tell, they don't really have anything to offer you and they certainly don't have a thing to offer me.
Ben: So, where're we goin'?
Cassie: Baltimore. I have an aunt and uncle there. I haven't seen them since I was five but from what I can remember they're both extremely hip.

The overly compressed sound (accoustically compressed, not in terms of saving storage) is so cinematic that it's conspicuous for a movie made in this century. But it fits the overly grainy film-look and does a good job at creating this big-life-story vibe that dominates the whole movie. Like many dramas this movie has a recurring melody, creating a melodramatic yet optimistic mood.

The characters are so well defined at first that it almost came as a positive surprise that they both have deeper personalities. But I soon got used to the movie not becoming as comedic as I first thought it might be.

There is something about some of the dialogues that make them refreshing and simultaneously irregular for child characters and very fitting for these particular child characters.

Cassie: See, a real plan is more than just some pipe dream.
Ben: Pipe dream?
Cassie: A pipe dream is an unrealistic fantasy that deludes oneself into thinking that it's an actual plan. It's a very popular expression. I'm surprised you've never heard of it before.
Ben: I didn't say I'd never heard it.
Cassie: Anyway, a real plan is an actual goal that you believe in enough to create a set of circumstances. Which leads you to, and into, a plan. Comprende?
Ben: Where do you come up with this stuff? I mean, what part of your brain works so hard it makes you think and talk like that?
Cassie: My father was a professor with a very wide vocabulary and lots of unique ideas. When he wasn't teaching his students, he taught me.
Ben: So what does your mom do?
Cassie: She never did anything.

The last line of that quote may have a different meaning that I thought when I watched the movie for the first time.

The fact that I was surprised by the dramatic loss of Cassie's facade later on may make me naive, but for me it just means that I got a non-obvious important change of the story route. And it's nice to get a story told with a non-obvious route. Whether that's because you're tired, three, stupid, naive or because of excellent writing doesn't really matter. Other viewers may have been able to deduct more about Cassie early on than I was, with her efforts to do things in grown-up ways. I didn't even know what Ben meant when he asked Cassie what she's hiding. That just created all the more potential to be sucked in by emotions to be discovered by my naive movie-drama graving brain.

Over time I think Ben proved that he is the more grown-up one in the relationship. Not by having a large vocabulary or a life plan, but by simply addressing the issue he sees.

In the end, Ben makes his parents choose (in a away) what's more important for them to have - their passionate hobbies or their son - and decides for them at the same time. The result is the most glorious mixing of (fake) sad cry tears with (fake) happy cry tears I've seen in a mov- anywhere really.

I sort of expected this movie to end without any closure. It seemed like one of these movies. But not only did it have a closure for Ben's parents and a happy ending for his part of the story. It even has a happier ending above and after that, depicting the best possible futures Cassie and Ben could have perceived to have together. An utopistic extra happy ending that I didn't see necessary. I keep saying that I'd like to see more movies without a happy ending. This one has two but also shows that a movie can still be as emotional and melodramatic as it is even with a double happy endling. Maybe they felt they needed to quickly tell how happy they both end up in the future so that no viewer with a similar life story or trauma kills themselves after watching the movie.

I think it's interesting that AnnaSophia Robb (Cassie) isn't seen more in movies as an adult now. She has this sort of model face that men find so beautiful and she can act, I think. Maybe she's working more as a model. Cayden Boyd too. He looks like a model for a shaver commercial now. But he only had some small TV show roles in recent years. I haven't seen him in any other role. Maybe he sucks at acting.

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This is where the film could have ended in my opinion_ But what do I know?
This is where the film could have ended in my opinion. But what do I know?
"Who knows anything when it comes down to it? I don't_ Actually, contrary to what I wrote above this scene is much more open than I first thought_ They don't meet Ben's parents_ Both parents go inside without seeing the children_ To me that seems like they may have never met again, or not until years later maybe_ But what do I know?
"Who knows anything when it comes down to it? I don't. Actually, contrary to what I wrote above this scene is much more open than I first thought. They don't meet Ben's parents. Both parents go inside without seeing the children. To me that seems like they may have never met again, or not until years later maybe. But what do I know?
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Film: I'm Thinking Of Ending Things

I like this quote from the movie: Other animals live in the present. Humans can not. So they invented hope. It's something I can think about.

I like the movie in general for breaking with storytelling conventions in an artful way without being so hard to follow that I just want to switch it off sighingly while exclaiming: "I guess it's art."

I may not understand the metaphors, which no doubt are plentiful throughout the movie, and therefor may not even understand what it is about or what Charlie Kaufman wants to say. But it certainly holding plenty of opportunities ready for letting the viewer get carried away by the movie's discussions about essential questions that are probably part of anybody's life at some point. I certainly got carried away to musing about all sorts of things several times. The discussions between the both main characters are often poetic and their course often takes on unexpected little turns. There are many things in that movie that I've not seen done well prior to this.

CW, in case you want to watch it: Suicide, Depression, Death and touching other unpleasant topics here and there

There's one other thing that I like about this movie: Parts of it are the most dream-like scenes that I've seen in any movie, as far as I can remember. I've been yearning for more accurate representations of the phenomenological idiosyncrasies of dreams for a while. Depending on the genre, filmmakers have tried different approaches, used many different effects and took advantage of technological innovations, as the were made, to depict dream scenes. Turns out all you need is a flatbed editor (or scissors and some tape or whatever editors used initially).

"I'm Thinking Of Ending Things" was the Charlie Kaufmann film that made me look up who wrote it. I've seen two movies of him before. But now I also know his name, somewhat his style, and much more of his work.

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My Favourite Movies

I've been meaning to put together this list for years but never took the time to do it properly. I'm not taking that time right now, either. But I'm starting with a few titles and am hoping that I'll find the time to fill this list peace by piece over the next weekscenturies.

These aren't really my favourite movies and shows. It would be nearly impossible to compile such a list. Some of them I enjoyed very much, some of them probably are among my favourites, but some I'd just like to share because I think more people should be aware of them.

Movies made me cry and are actually dramas

Title Year Genre Keywords or reasons why I like it
And Then I Go 2017 Drama empathy, youthful, drama
The Cure 1995 Drama/Comedy sad, adventurous, sickness, drama
Pay it Forward 2000 Drama/Romance sad, drama, naivety
Die Beste Aller Welten 2017 Drama Austrian German Language, drama, drugs, small child
The Heart Is Deceitful Above All Things 2004 Drama sad, fucked up, drugs
Honey Boy 2019 Drama sad, emotional abuse, mental health
I Know My First Name Is Steven 1989 Drama Child Obduction, Abuse,

Movies that made me laugh a lot

Title Year Genre Keywords or reasons why I like it
Anchorman: The Legend of Ron Burgundy 2004 Comedy funny, absurd, drama, romance
Airplane! 1980 Comedy/Romance absurd, funny, romance
Ace Ventura: Pet Detective 1994 Comedy Silly, Cheap
Ace Ventura: When Nature Calls 1995 Comedy Silly, Cheap
Office Space 1999 Comedy Rebellious, Non-caring, Revenge, Crime though

Child psychopath movies and movies that I put in the same category despite not being about psychopathy

Title Year Genre Keywords or reasons why I like it
The Good Son 1993 Soft Psychological Thriller interesting, tragedy
We Need to Talk About Kevin 2011 Psychological Thriller emotions, tragedy
The Boy 2015 Light Horror suspense
Luminous Motion 1998 Drama fun, adventurous, fucked up?

Sweet movies (Wholesome movies)

Title Year Genre Keywords or reasons why I like it
Harold and Maude 1971 Comedy/Romance sweet
Chef 2014 Comedy/Drama sweet
The Queen's Gambit (miniseries) 2020 Drama sweet
Malcolm 1986 Comedy? sweet, criminal though
Once 2007 Drama, Romance Music, Charming, Mellow, Sweet

Weird movies (Movies that I find or found confusing or hard to understand or that have a very unusual way of telling a story and that I like for it)

Title Year Genre Keywords or reasons why I like it
Stay 2005 Drama(/Mystery) (Thriller?) Dreamlike, Mental Health
I'm Thinking of Ending Things 2020 Drama, Thriller Dreamlike, Serious
Memento 2000 Mystery, Thriller Crime, Violence
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Film: Hesher

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This is a movie that I quite like but because I don't know it for long and because there are signs that the movie contains an artistic allegory or something that I don't understand as a major part of the story, I don't include it in the list of my favourite movies that I've started recently.

IMDB plot summary: A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

For me the movie is hard to fit into a caregory. 1-star reviews call it "silly", a "rediculous script", "horrible and offensive" and a "waste of talent". Some say it's saved by good acting. Others at least give it that it's still a comedy and not supposed to treat its topic only with sincerity. I say it's a funny, chaotic and offensive comedy with a rediculous script, great acting, telling a silly story with horrible moments and it doesn't care to take any of the topic it touches seriously. I don't really agree with other reviewers about the point it supposedly is trying to make. I don't even think it's mainly about loss of a family member. That's just part of the chaotic story that's dominated by a chaoric character. Does it need to make a point? Does it need to take a side in something? Can't it be rediculous and weird with no fixed statement built in. I don't mind misinterpreting movies as long as I get to enjoy some of them precisely for not getting a point out of the story. This is a movie that performs that rare, fulfilling gratification that I mainly remember from watching great comedies for the first time in my teens. And it may be because I don't understand the parts of life this movie is depicting like I didn't understand life when I was 16. But if it means that I can enjoy a movie because it's funny and weird, I take it!

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