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I don't know what the more correct title of the movie is. Some call it Have Dreams Will Travel, some call it A West Texas Children's Story and I don't know where either title was originally used.

It's about the adventure that Cassie and Ben have after her parents die and his don't even notice that he leaves without saying anything. It's also about trauma processing, communication in relationships (parental, friendships and romantic). That's what I see in it at least.

Cassie: I think it's time for us to leave.
Ben: Leave?
Cassie: Look. Those two people who you live with. They're nice and everything, but-
Ben: My parents?
Cassie: Right. But from what I can tell, they don't really have anything to offer you and they certainly don't have a thing to offer me.
Ben: So, where're we goin'?
Cassie: Baltimore. I have an aunt and uncle there. I haven't seen them since I was five but from what I can remember they're both extremely hip.

The overly compressed sound (accoustically compressed, not in terms of saving storage) is so cinematic that it's conspicuous for a movie made in this century. But it fits the overly grainy film-look and does a good job at creating this big-life-story vibe that dominates the whole movie. Like many dramas this movie has a recurring melody, creating a melodramatic yet optimistic mood.

The characters are so well defined at first that it almost came as a positive surprise that they both have deeper personalities. But I soon got used to the movie not becoming as comedic as I first thought it might be.

There is something about some of the dialogues that make them refreshing and simultaneously irregular for child characters and very fitting for these particular child characters.

Cassie: See, a real plan is more than just some pipe dream.
Ben: Pipe dream?
Cassie: A pipe dream is an unrealistic fantasy that deludes oneself into thinking that it's an actual plan. It's a very popular expression. I'm surprised you've never heard of it before.
Ben: I didn't say I'd never heard it.
Cassie: Anyway, a real plan is an actual goal that you believe in enough to create a set of circumstances. Which leads you to, and into, a plan. Comprende?
Ben: Where do you come up with this stuff? I mean, what part of your brain works so hard it makes you think and talk like that?
Cassie: My father was a professor with a very wide vocabulary and lots of unique ideas. When he wasn't teaching his students, he taught me.
Ben: So what does your mom do?
Cassie: She never did anything.

The last line of that quote may have a different meaning that I thought when I watched the movie for the first time.

The fact that I was surprised by the dramatic loss of Cassie's facade later on may make me naive, but for me it just means that I got a non-obvious important change of the story route. And it's nice to get a story told with a non-obvious route. Whether that's because you're tired, three, stupid, naive or because of excellent writing doesn't really matter. Other viewers may have been able to deduct more about Cassie early on than I was, with her efforts to do things in grown-up ways. I didn't even know what Ben meant when he asked Cassie what she's hiding. That just created all the more potential to be sucked in by emotions to be discovered by my naive movie-drama graving brain.

Over time I think Ben proved that he is the more grown-up one in the relationship. Not by having a large vocabulary or a life plan, but by simply addressing the issue he sees.

In the end, Ben makes his parents choose (in a away) what's more important for them to have - their passionate hobbies or their son - and decides for them at the same time. The result is the most glorious mixing of (fake) sad cry tears with (fake) happy cry tears I've seen in a mov- anywhere really.

I sort of expected this movie to end without any closure. It seemed like one of these movies. But not only did it have a closure for Ben's parents and a happy ending for his part of the story. It even has a happier ending above and after that, depicting the best possible futures Cassie and Ben could have perceived to have together. An utopistic extra happy ending that I didn't see necessary. I keep saying that I'd like to see more movies without a happy ending. This one has two but also shows that a movie can still be as emotional and melodramatic as it is even with a double happy endling. Maybe they felt they needed to quickly tell how happy they both end up in the future so that no viewer with a similar life story or trauma kills themselves after watching the movie.

I think it's interesting that AnnaSophia Robb (Cassie) isn't seen more in movies as an adult now. She has this sort of model face that men find so beautiful and she can act, I think. Maybe she's working more as a model. Cayden Boyd too. He looks like a model for a shaver commercial now. But he only had some small TV show roles in recent years. I haven't seen him in any other role. Maybe he sucks at acting.

I like this quote from the movie: Other animals live in the present. Humans can not. So they invented hope. It's something I can think about.

I like the movie in general for breaking with storytelling conventions in an artful way without being so hard to follow that I just want to switch it off sighingly while exclaiming: "I guess it's art."

I may not understand the metaphors, which no doubt are plentiful throughout the movie, and therefor may not even understand what it is about or what Charlie Kaufman wants to say. But it certainly holding plenty of opportunities ready for letting the viewer get carried away by the movie's discussions about essential questions that are probably part of anybody's life at some point. I certainly got carried away to musing about all sorts of things several times. The discussions between the both main characters are often poetic and their course often takes on unexpected little turns. There are many things in that movie that I've not seen done well prior to this.

CW, in case you want to watch it: Suicide, Depression, Death and touching other unpleasant topics here and there

There's one other thing that I like about this movie: Parts of it are the most dream-like scenes that I've seen in any movie, as far as I can remember. I've been yearning for more accurate representations of the phenomenological idiosyncrasies of dreams for a while. Depending on the genre, filmmakers have tried different approaches, used many different effects and took advantage of technological innovations, as the were made, to depict dream scenes. Turns out all you need is a flatbed editor (or scissors and some tape or whatever editors used initially).

"I'm Thinking Of Ending Things" was the Charlie Kaufmann film that made me look up who wrote it. I've seen two movies of him before. But now I also know his name, somewhat his style, and much more of his work.

I've been meaning to put together this list for years but never took the time to do it properly. I'm not taking that time right now, either. But I'm starting with a few titles and am hoping that I'll find the time to fill this list peace by piece over the next weekscenturies.

These aren't really my favourite movies and shows. It would be nearly impossible to compile such a list. Some of them I enjoyed very much, some of them probably are among my favourites, but some I'd just like to share because I think more people should be aware of them.

I've removed the incomplete tag now. The list is still missing some important titles. But it can never be complete, so…

Movies made me cry and are actually dramas

Movies that made me laugh a lot

Child psychopath movies and movies that I put in the same category despite not being about psychopathy

Sweet movies (Wholesome movies)

Weird movies (Movies that I find or found confusing or hard to understand or that have a very unusual way of telling a story and that I like for it)

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This is a movie that I quite like but because I don't know it for long and because there are signs that the movie contains an artistic allegory or something that I don't understand as a major part of the story, I don't include it in the list of my favourite movies that I've started recently.

IMDB plot summary: A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

For me the movie is hard to fit into a caregory. 1-star reviews call it "silly", a "rediculous script", "horrible and offensive" and a "waste of talent". Some say it's saved by good acting. Others at least give it that it's still a comedy and not supposed to treat its topic only with sincerity. I say it's a funny, chaotic and offensive comedy with a rediculous script, great acting, telling a silly story with horrible moments and it doesn't care to take any of the topic it touches seriously. I don't really agree with other reviewers about the point it supposedly is trying to make. I don't even think it's mainly about loss of a family member. That's just part of the chaotic story that's dominated by a chaoric character. Does it need to make a point? Does it need to take a side in something? Can't it be rediculous and weird with no fixed statement built in. I don't mind misinterpreting movies as long as I get to enjoy some of them precisely for not getting a point out of the story. This is a movie that performs that rare, fulfilling gratification that I mainly remember from watching great comedies for the first time in my teens. And it may be because I don't understand the parts of life this movie is depicting like I didn't understand life when I was 16. But if it means that I can enjoy a movie because it's funny and weird, I take it!

The Martian Child is one of those cute, emotional movies with a child in an important role that left an impression with me and is deemed very much worth watching but I'd have trouble explaining why. I'll push myself through this bit of trouble and try. I think I mostly like it because of the cute. I think of it as sort of like Big Daddy but more serious (and without Adam Sandler). Big Daddy isn't a bad movie overall. I've re-watched it so many times before I realised that movies can be a lot better than that, because it's just too cute not to. But it is a typical Adam Sandler movie with the depth and humor of a typical Adam Sandler movie (and with Adam Sandler).

The Martian Child is another foster child/adoption movie about a single, previously childless man. (Why are there so many movies about this, btw?) In comparison with other movies in this category the closeness to reality of its depiction of the circumstances, the process and the foster care system is probably above average. But I don't have any experience to judge that. That's not the focus of the story, anyway.

For me the story is about the child's unique and uncommon personality. I like how it's never really explained what events in the first five years of his life may explain what every grownup in the story sees as peculiar and concerning behaviour and every child in the story sees as weird and sometimes repellent. It may be important for the grownup's goal to enable him to grow into a normal enough person to function in society. (I assume that's their goal and why they are so concerned about his weirdness.) But it's addressed in the movie only as much as necessary.

For other viewers it may be just as much or more about the new father's development and the challange of and challanges that come with fostering a in general and this child in particular. It's about all of that. But ultimately, the reason I decided to watch it again was that it's an emotional story with a cute small child actor acting and speaking all timid while saying things normal people would find surprising, strange responses. So a good story well told is a great bonus, as it were.